Chaka Khan — Chaka (2024 Remaster)

Jason Ferguson
2 min readMar 21, 2024

Qobuz reissue review (March 2024)

https://www.qobuz.com/us-en/album/chaka-chaka-khan/0603497895540

The way that Chaka Khan turbocharged the career of Chicago funk band Rufus was extraordinary enough to warrant the group appending “featuring Chaka Khan” to its name throughout most of her hit-making tenure with them. So, it was inevitable that after four successful studio albums between 1974 and 1977 that “featured” Chaka Khan, Rufus would soon watch their star vocalist embark upon a solo career, even though that solo career mostly took place alongside her role in Rufus. (Khan would appear on several more — though not all — Rufus albums until the band’s eventual dissolution in 1983, truly becoming a “featured” performer.) 1978’s Chaka was released the same year as Street Player, her fifth studio album with the band, and the contrast between the two records could not be more sharp. While the latter focused on brassy funk and midtempo drama like “Stay,” Chaka explodes out of the gate with “I’m Every Woman,” a now-inescapable banger that finds both Khan and the songwriting team of Ashford & Simpson at the heights of their powers. Its lush, discofied groove makes the song an insistent dancefloor hit and also a remarkable showcase for Khan’s voice. While that voice had long been a focal point on Rufus albums, they often used group harmonies. On Chaka, her room-filling approach to singing is given plenty of space to shine, and she is unafraid to unleash its full power, which she does so tastefully and with plenty of dynamics. “I’m Every Woman” is undoubtedly the best-known classic, but the album also shines with other notable moments like the slow jam favorite “Roll Me Through the Rushes,” which would become a deep-cut cornerstone of Quiet Storm radio, the gender-flipped Stevie Wonder cover “I Was Made to Love Him,” and the jazzy romance of “We Got the Love,” which finds Khan duetting with George Benson. Arif Mardin’s production touch is a perfect match, expertly fusing a sophisticated soulfulness with dancefloor acumen and marshaling an army of session players to execute this material at its highest possible level, and this dynamic modern remaster delivers warmth and presence.

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Jason Ferguson

I endorse listening to 45s, Florida summers, Bollywood, soccer, and people who are smarter than I am. I write and edit things.